The renowned French horn player known as Brother Ah (aka Robert Northern) is one of the most prolific and respected musicians in the history of jazz music, with a recorded output spanning more than 40 years.
Released: December 22, 2017.
Label: 1631 Recordings
Carlos Cipa is a composer and multi-instrumentalist based in Munich. He has been classically trained on the piano and currently studies contemporary classical composition at the University of Music and Performing Arts in Munich. He creates unique contemporary compositions fraught with beauty, tension and emotional intensity.
The Lost follows and expands on Otto A Totland ́s intimate debut solo piano album Pinô from 2014. Once again several days were spent in Nils Frahm ́s legendary Durton studio to lay down both composed and improvised pieces of quiet beauty.
While mostly residing in a small Norwegian coastal town, Otto has been trying to escape the constant movement towards fast paced, polluted lives, where it seems like sounds and impressions never stop. The Lost can be seen as a countermovement towards this development – something genuine and personal.
Released: November 24, 2017.
Label: Denovaly Records
"Minimalistic and subliminal elegancy" (ARTE)
«Минималистичная и подсознательная элегантность» (ARTE)
Немецкое культовое трио Dictophone после пяти лет молчания.
Finally a sign of life and a new full length of the German cult trio after five years of silence. Already formed in the late nineties in Berlin, Dictaphone was born by Brussels-bred multi-instrumentalist Oliver Doerell. In 2000 Oliver Doerell found a partner in Berlin's Roger Döring, who shares Doerell's love for the Brussels-based music of the eighties.
The new album features the three Dictaphone core members Oliver Doerell (electronics, bass, guitar), Roger Döring (saxophone, clarinet) and Alex Stolze (violins) and has been composed and produced over the course of three years. While the vibraphone and the more easily distinguishable guitar among other things gave a certain presence to the tracks on the previous album "Poems from a rooftop", "APR 70" leaves the listener with a much more muffled impression. It feels as if each of the uncountable layers of which the intricate arrangements are made has just the right amount of contrast to be visible, but there are only very few moments where one of the elements noticeably dominates the others. The cool jazz bits, analogue flourishes, hypnotic rhythms and refined electronics feed a dark serpent-like creature meandering in ever-changing morphologies through shapeless landscapes. "APR 70" is the perfect cocoon for the hazy days and the serene nights. A new incarnation, maybe even definition, of purity.
Released: November 17, 2017
Label: Edition Kohlstedt
Written and composed by Martin Kohlstedt
Martin Kohlstedt’s third record and opus "Strom" is a stream of ruthless moments exposing the piano to the elements. Amid the flow of the nine pieces the composer himself slowly dissipates and enables the experience of music in its most primal dynamic. Closeness and intimacy transform into vastness and force. Beauty is to be found in everything — especially in the ephemeral. Consequently "Strom" brings forth manifold forms, appearing hazy and perilous, direct, almost playful to appear awestruck in the face of its own gravity. You get the feeling that Kohlstedt erected a monument in honor of intuition itself.
Released: November 10, 2017.
Label: 1631 Recordings
I’ve been making music for about 18 years or so. My uncle has always been very supportive, but it wasn’t until I started making piano music that I really felt that he appreciates the music I make. So this Christmas when he told me to check out Mike Lazarev on Spotify, I gladly did. I’ve been listening to Mike Lazarev’s album Dislodged pretty much every day since then, and when he appeared in my Facebook feed I thought to myself, ‘well, I’m just gonna write to him and see if I could interview him.’ He said yes. –Johan Eckman
Released: October 13, 2017
Label: ECM Records, ECM 2580
Recorded in New York’s Avatar Studios in May 2017 and produced by Manfred Eicher, Blue Maqams brings Tunisian oud master Anouar Brahem together with three brilliant improvisers.
Aeham Ahmad - piano, vocals
composition Edgar Knecht - Piano, compostion
Rolf Denecke - bass
Tobias Schulte – drums
The pianist and composer Edgar Knecht is one of Germany's best jazz musicians. Aeham Ahmad is a pianist from Syria – and a refugee in Germany. Aeham Ahmad – born in Damascus in the year 1988 – belongs to the Palestinian minority in Syria and lived with his family until 2015 in the refugee camp Yarmouk, to where in 1948 his grandfather fled from Palestine. His musical talent was supported from early years, at the age of five his father taught him to play the piano. Read more.
Composed By – Eric Vloeimans (tracks: 3,4,5,7,9,11,12,13), Mehmet Polat (tracks: 1,2,6,8,10,13), Michel Banabila (tracks: 1,2,3,4,5,6,7,8,9,10,11,12,13)
Oud – Mehmet Polat (tracks: 1,2,6,8,10,13)
Producer – Michel Banabila
Recorded By – Michel Banabila
Trumpet – Eric Vloeimans (tracks: 3,4,5,7,9,11,12,13)
Order at: https://NM.lnk.to/bachspaceID
BachSpace: Tamar Halperin, piano; Etienne Abelin, violin; Tomek Kolczynski, electronics.
Based on compositions by J.S. Bach, composed by Tomek Kolczynski, Tamar Halperin, Etienne Abelin.
What happens when three musicians take the music of Johann Sebastian Bach, and develop it in a bold and skilful way? The result is a number of new constellations. "Vintage Moon", "Electric Rain", "Hiraeth" and "999" are the four hybrid works on the debut album of the BachSpace ensemble, situated at the interface of Baroque music and electronica. They have to date played their boundary-breaking music at various Bach festivals and at the 2017 Montreux Jazz Festival.
Released: September 15, 2017
Label: ECM Records, ECM 2566
Björn Meyer 6-String Electric Bass, Acoustic Bass Guitar
There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently the lead instrument. His solo work is concerned with the experience of sound in acoustic spaces: “Even though the instrument is technically non-acoustic, the music is deeply influenced by the properties of the space where it is played...
Released: September 15, 2017
Label: Deutsche Grammophon
“Taboo” is a British television drama programme produced by Scott Free London and Hardy Son & Baker for BBC One and FX. The music was written my Max Richter who is one of the most special composers working today.
“Taboo” is a dark and strange TV show and Max Richter’s music reflects that; a composer as imaginative as him had a field day creating a soundscape that evokes both danger and fatality. The strings, the many different layers of strings, from subtle to furious as in “I’d hoped to settle this…”.
Released: September 15, 2017
Label: ECM Records, ECM 2570
Stefano Battaglia plays both piano and prepared piano (sometimes simultaneously) in a highly attractive double-album programme that includes his own compositions and spontaneous improvisations as well as two versions of the Arabic traditional song “Lamma Bada Yatathanna”. The melodic and texturally-inventive pieces, some of almost hypnotic allure, were recorded both in concert and in “closed doors” sessions at the Fazoli Concert Hall in Sacile, Italy, in May 2016, and subsequently arranged into what Battaglia describes as “a wonderful new shape with a completely new dramaturgy” by producer Manfred Eicher.
Released: September 8, 2017.
Label: Prophone Records/Naxos
ONE is the debut album of Calle Rasmusson and will be released on Prophone Records/Naxos on September 8, 2017.
One is the result of two different projects:
The Roots Project, which was commissioned by the province of Halland, Sweden, was written by Calle for a ten- piece ensemble that consisting of musicians with a close relationship to that region. The group did a tour in January 2015 under Calle’s musical direction.
The Orchestra Project was meant to combine the freedom of a jazz piano trio with the rich textures of a chamber orchestra. Based on a trio recording with Swedish pianist Adam Forkelid and bassist Kristian Lind, Calle wrote arrangements and new music for chamber orchestra to be added on top of the original trio recording. The orchestra is one of Calle’s favorite ensembles in Sweden – DalaSinfoniettan.
Released: August 26, 2017
Label: Berlin Classics.
Genre: Baroque, Piano Music
The pianist and composer Marina Baranova released her album “Hypersuites” on the Berlin Classics label in August 2016. “My Hypersuites are acoustic remixes of Baroque masters,” the artist explains. For this project she chose compositions by four Baroque composers – Couperin, J.S. Bach, Rameau and Handel – and combined individual pieces by them into four new suites. Then Baranova adapted, improvised and arranged the Baroque music forms in new guise within those suites. This was all in the spirit of Baroque music, whose composers frequently remodelled their works 300 years ago in order to suit different occasions by adding variations and new cadenzas.
The result of this approach is a new Gesamtkunstwerk, a modern “mixed tape”: Hypersuites. Baroque music for the 21st century. Marina Baranova recorded the project on a modern Steinway grand in Berlin’s Teldex Studio and invited a special guest to join her on “Hypersuites”: composer and pianist Hauschka created a remix of Rameau’s La Poule. The result was a piece of music in which Baroque and electronic music reflect one another.
On Hidden Orchestra's eagerly anticipated third album, producer and composer Joe Acheson conjures an intricate yet expansive world of sound, built around a collection of birdsong and other field recordings captured over many years in diverse locations around the UK and abroad. Rich in detail and character, these snapshots intertwine with bass, drums, percussion and eclectic instruments - including piano, electro-harp, zither, Turkish mey and cello - for an emotive and transporting listen that Acheson describes as “a kind of personal audio diary, time capsule or memoir”.
The Dale Cooper Quartet & The Dictaphones are returning with their 4th album called "Astrild Astrild". Like all of the previous albums, the band recorded the seven pieces at home in Britanny during several sessions between 2013 and 2016.
The characteristics of this full-length are classic drone soundscapes mixed with deep tone saxophone parts that became the band's trademark since the release of their debut album in 2006. Slowly paced, the new tracks are following the Quartet's basic structure and classical sound. Apart from that the new full length conceals more live takes including guitars, bass and Rhodes keys and even piano sounds are haunting for the first time at the end of 'Ocho Acenteur'. With these new elements the songs of "Astrild Astrild" are pushed further into a large tunnel of deafening rhythmic parts and field ambiant textures...
The new album "Astrild Astrild" is a glimpse of the present live sound of the Dale Cooper Quartet: 50's crooners singers, noisy guitars, atmospheric electronic and hypnotic jazz. All of these elements painted in monochrome black.
All music composed, recorded, mixed and mastered by Manos Milonakis
All instruments performed by Manos Milonakis except:
Violin: Christina Georgeli, Viktor Orri Árnason
Viola: Viktor Orri Árnason
Cello: Thodoris Papadimitriou, Sebastian Selke
Guitar: George Papadopoulos
Released: May 05, 2017
Label: Rune Grammofon, RCD2192
Arve Henriksen is a major representative of a golden generation of Norwegian jazz musicians. This is his ninth solo album (eight on Rune Grammofon and one on ECM), he has also released a dozen albums as a founder member of Supersilent and appears on well over a hundred records by artists like David Sylvian, Jon Balke, Trygve Seim, Imogen Heap, Arild Andersen and many more. With "Towards Language" trumpeter Arve Henriksen is back with his trusted long time musical partners Jan Bang and Erik Honoré. Arve first collaborated with the pair on the much loved and highly praised "Chiaroscuro" (2004), Arve´s second album, and later on "Cartography" (ECM 2008) and "Places Of Worship" (2013). Also an important part of the line-up is Eivind Aarset, the ECM associated guitarist extraordinaire.
Jean-Philippe Koch - piano
David Kintziger - electric bass
Michel Meis - percussion
Trailer: Dock In Absolute / Trailer
Dock In Absolute is made up of 3 professionnal musicians having studied at the Berklee College of Music Boston, Codarts University of Arts Rotterdam, Hochschule für Musik Saarbrücken, including Michel Meis (percussion), David Kintziger (double bass) and Jean-Philippe Koch (piano and composition). With a shared love of jazz, they combine different styles of progressive Jazz, classical and rock, playing the pianist’s own compositions and co-created their unique jazz style in 2012.
Released: April 07, 2017
Label: Deutsche Grammophon
"I call it 'simple music for complex emotions'. The world is a hectic place right now and I feel a deep urge to reconnect on a basic human level with people in general. Music as our universal language has the power to unite." Dutch composer and musician Joep Beving is a towering figure in the streaming world – and in real life too, thanks to his two-metre frame (nearly 6'10), wild hair and flowing beard. Joep’s delicate melodies instantly struck a chord with listeners when tracks from the album first appeared on streaming music playlists alongside the likes of Max Richter, Ólafur Arnalds and Nils Frahm. His first DG album 'Prehension' displays introspective, melancholy, filmic and uplifting characteristics – presented in a simple, warm acoustic atmosphere which will help soothe the soul.
Released: April 07, 2017
Label: Deutsche Grammophon
The word ‘perspective’ has a Latin root that means ‘to look through’. It is a word that readily applies to Hélène Grimaud’s way of making music and conceiving programs. She never plays a piece simply for the sake of playing it. She ‘looks through’ a composition, scrutinizing its components, its implications, its ambiguities, its position within that particular composer’s output, its commonalities with other like-minded works, and its tactile, spiritual and emotional resonances. For Grimaud, this collection is a retrospective offering new perspectives through a very personal choice of repertoire which creates enlightening new echoes between works. From Bach to Rachmaninov, Mozart to Chopin, Grimaud’s own selection of highlights from her albums reflects her artistic journey through the piano’s most famous solo and concerto repertoire in a series of interpretations that never fail to offer new perspectives on even the most familiar music – released April 7th!
Released: April 4, 2017
Label: ECM Records, ECM 1085
The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents. This is a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and satisfied...
An Ancient Observer is the follow-up to Hamasyan's label debut, Mockroot, of which the Guardian said, "A phenomenal piano player, an irrepressible entertainer, a promising experimenter with hi-tech gizmology and a creative world-music composer. Mockroot plays vivaciously to all those strengths." The musician says of his new solo recording, which features ten new compositions: "These songs are musical observations about the world we live in now, and the weight of history we carry with us."
Released: March 31, 2017
Label: Temporary Residence Limited
What If is the Volker Bertelmann's eighth full-length. In addition to his usual prepared piano, Bertelmann used a Roland Jupiter 4 synth and an Eventide H3000 Haronizer for this record, which imagines where the world will be 30 years from now. He also programmed automated player pianos—AKA pianolas—"exploiting the speed at which they could play," according to the press release, "manipulating the resulting sounds, and building layers to emphasise a composition’s metre."
Hauschka Live at Funkhaus Berlin
Hauschka performing „Nature Fights Back“ from his album „What IF“ live at Funkhaus Berlin 04.04.2017.
Released: March 17, 2017
Label: Optical Substance Productions
On the new album Piano Transformed (2017) Kjetil Huseboe returns with his musical venture of combining acoustic and electronic elements. This time Kjetil explores another musical territory than his last album Steps (2015), which was an all-acoustic piano album. In contrast, the music on Piano Transformed is composed and performed with an intense musical symbiosis of acoustic grand piano and live sampling / electronics. Hence, Kjetil creates an instrument in which acoustics and technology is closely unified.
Mario Batkovic is a Swiss virtuoso solo accordion player born in Bosnia. His playing can be challenging and experimental, yet it maintains a masterfully beautiful quality. He scratches every nuance out of the instrument, integrating scratches and clicks into the arrangements and making a feature of the kind of tonal scars and birthmarks which are usually eradicated from recordings and live performances.
François Couturier: piano; Anja Lechner: violoncello; Jean-Marc Larché: soprano saxophone; Jean-Louis Matinier: accordion;
Ingmar Bergman once said of Andrey Tarkovsky, “He moves with such naturalness in the room of dreams,” and the French-German quartet named after the great Russian filmmaker has developed an associative dream-language of its own. For leader and pianist François Couturier the “silence and slowness of Tarkovsky” are closely related to an “ECM aesthetic” further developed on the group’s third album Nuit blanche, produced by Manfred Eicher in Lugano in April 2016. Here pieces variously composed by François Couturier, or created in the moment by Couturier, cellist Anja Lecher, saxophonist Jean-Marc Larché and accordionist Jean-Louis Matinier, explore the texture of dreams and memory and continue to make oblique reference to Tarkovsky.
Released: February 17, 2017
Label: Morpheus Records
Maja Nydegger: Piano
Nils Fischer: Altsax, Bass Clarinet
Claudio von Arx: Tenorsax
Simon Iten: Bass
Emanuel Künzi: Drums
All Compositions by Maja Nydegger
Released: February 17, 2017
Label: Ideologic Organ
Ideologic Organ is proud to present the brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, ‘sound based’ music.
Johann Bourquenez, piano
Vincent Ruiz, doublebass
Cyril Bondi, drums
All compositions by Plaistow, from album "Titan"
recorded live at Bimhuis, Amsterdam, March 27th, 2016, by Jurre Wieman, courtesy of Bimhuis Radio & Good Music Company.
Released: January 27, 2017
Label: Deutsche Grammophon
Mit seinem neuen Album beweist Max Richter eindrucksvoll, wie nahe seine Musik an fundamentale Emotionen des Menschen heranrückt. "Three Worlds: music from Woolf Works" spürt dem Erzählwerk der britischen Schriftstellerin Virginia Woolf nach. Das Album vereint Musik, die der Avantgarde-Komponist zu Wayne McGregors gefeierter Ballett-Produktion Woolf Works am Royal Opera House London beigesteuert hat. Max Richter lässt die Dichterin selbst zu Wort kommen.
Released: January 2017
Label: ECM Records, ECM2517
Colin Vallon: piano, Patrice Moret: double bass, Julian Sartorius: drums
The Colin Vallon Trio has found its own space in the crowded world of the piano trio by quietly challenging its conventions. On its third ECM album Vallon again leads the group not with virtuosic solo display but by patient outlining of melody and establishing of frameworks in which layered group improvising can take place. With this group, gentle but insistent rhythms can trigger seismic musical events. Although Vallon (recently nominated for the Swiss Music Prize) is the author of nine of the pieces here, the band members share equal responsibilities for the music’s unfolding. The gravitational pull of Patrice Moret’s bass and the intense detail supplied by Julian Sartorius’s drums and cymbals are crucial to the success of Vallon’s artistic concept and the range of emotions the music can convey. Danse is issued in both CD and LP editions.
THE EYE OF TIME is the solo-project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well.
MYTH is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. The Eye of Time's MYTH trilogy is about the path that humanity took over the ages and about how we could tell this epic story. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. MYTH is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. MYTH is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.
Marc Euvrie recorded “MYTH I : A last dance for the things we love" completely on his own. Being away from home, dealing with family issues, his music served him as deep introspection about himself and the world. An introspection impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm. At the same time evolving dramaturgies emerge, driven by rumbling beats, accompanied by both grim and hopeful melodies; just to be aware that irrationality gives birth to our myths and that myths, in turn, affect our very own existence.